Meet Savannah Franklin—a music industry trailblazer and QUT alum now based in Los Angeles. Since graduating from QUT in 2021, Savannah has carved out an impressive career in A&R (Artists and Repertoire) at Columbia Records. Here, she works behind the scenes, setting up studio sessions and scouting the next generation of global talent.
Following in the footsteps of her mum, Natalie Lewis (a fellow QUT alum and 2024 Outstanding Alumni Award winner) Savannah brings purpose, passion, and cultural pride to her work. She shares the standout moments that have shaped her journey, and how her identity as a proud Indigenous Australian continues to guide her on a global stage.
What does a typical day look like for you, and what do you love most about the job?
No two days are ever the same—one day I might be helping deliver an album, and the next I’m setting up studio sessions, coordinating schedules, or out at a show supporting an artist. A lot of my work happens behind the scenes, but every task plays a part in helping bring an artist’s vision to life. What I love most is being part of the process — watching a song go from an idea in someone’s notes app to a moment that connects with people around the world. It’s a privilege to play even a small role in that journey.
What drew you to the music industry, and how did your path lead from QUT to LA?
I’ve always had a passion for both business and music—growing up in a music-loving family who supported whatever dream I had gave me the freedom to explore both. While studying at QUT, I interned through CareerTrackers, which connected me with incredible professionals across various industries. One day, my now mentor, Sophie Paterson, actually reached out to me via LinkedIn and changed the course of my career. I began working at Sony Music Australia , which then opened the door to artist development and A&R, and eventually led me to LA working at Columbia Records—a place that constantly challenges and inspires me.
A&R plays such a critical role in discovering and nurturing talent. What do you look for when scouting new artists?
I look for artists who are intentional—people who know who they are or are bold enough to figure it out in real time. It’s not just about vocal ability or production quality; it’s about having a clear perspective, something that makes you stop and listen. Authenticity, vision, and that spark of originality are what really cut through. I want to champion artists who aren’t afraid to take risks and say something real.
You’re based in LA now—what’s it like living and working in such a global creative hub?
LA is wild—it’s fast-paced, constantly evolving and full of energy. You’re surrounded by creatives at the top of their game, which can be intense, but also incredibly motivating. What I love most is how quickly things can shift—one conversation can turn into a real opportunity. If you stay grounded, it’s the kind of environment that pushes you to grow both personally and professionally.
Do you think being Australian, and especially being an Indigenous Australian, gives you a unique perspective in the international music scene?
Without a doubt. Being Indigenous has given me a deep connection to storytelling, resilience, and culture—all of which are at the heart of great music. It also gives me a strong sense of responsibility to represent where I come from and create space for others to do the same. That perspective grounds me and reminds me to lead with intention, even in an industry that moves fast. It’s a lens I carry with pride and purpose.
What’s been a standout or surreal moment in your career so far?
Being at the BET Awards was a surreal moment. I was in the same room as artists I grew up listening to—the people who shaped my love for music—and suddenly I was right there with them, having conversations, sharing laughs. It was a full-circle moment that reminded me how far I’ve come, the places I now belong in and how much more there is to do. It made everything feel possible.
What’s something you’ve learned about yourself since moving overseas?
I’ve learned that I’m more resilient and adaptable than I gave myself credit for. Moving overseas pushed me out of my comfort zone in every way — professionally and personally. It reminded me how important it is to stay grounded in who I am, even while navigating new spaces. Australia will always be home, and I definitely get homesick — it’s where my mum, dad, little brother, and my amazing (and slightly chaotic) aunts, uncles, cousins, and childhood friends are. Being far from them isn’t always easy, but it’s also made me appreciate my roots even more. And it’s taught me that being different is a strength, not something to shrink from.
Your mum, Natalie Lewis, is also a QUT alum and won an Outstanding Alumni Award last year. How has her example shaped your sense of identity and ambition?
If you’ve ever met my mum, you know she’s a powerhouse—bold, resilient and full of heart. She’s never stopped striving for greatness, not just for herself, but for her community and everyone around her. She’s taught me to be proud of my culture, to stand strong in my values, and to lead with both purpose and compassion. I’ll never forget how excited she was when I told her I’d be attending QUT — following in her footsteps made it all the more meaningful. The love and strength she’s given me and my brother Makai shaped who I am, and I like to think I carry a bit of her fire everywhere I go.
What advice would you give to other young Indigenous creatives hoping to forge an international career in music or the arts?
Back yourself, even if the room doesn’t—especially then. Your voice and your perspective are powerful, and they belong in any space you step into. Stay rooted in your culture, find your people, and protect your passion. It won’t always be easy, but it will be worth it—and every step you take clears the path for someone else coming behind you.
Who’s on your playlist right now—any hidden gems or upcoming artists you’re loving?
I still have so much love for Aussie music—OneFour’s story is powerful and their talent is unreal, and Forest Claudette is one of the most gifted songwriters I know. I’m also loving KYE’s new era — the rawness and honesty in her storytelling is really special. I’m a die-hard SZA fan (forever), Glorilla’s energy is unmatched, and Kendrick Lamar continues to redefine what artistry looks like. And on our Columbia roster, we’ve got so many incredible talents — Jessie Murph, Central Cee, Leon Bridges, Joey Bada$$, Halle — and honestly, too many more to name. I feel really lucky to work alongside artists who are shaping the future of music.
Savannah Franklin
QUT degrees - Bachelor of Communications (Entertainment Industries/Public Relations) 2021
Have a question for Savannah? Connect with her on LinkedIn.
Author
Zoe is a marketing and communications professional and Alumni Communications Coordinator at QUT. She is also a proud alumnus with a Bachelor of Business (Marketing).