Dr Steph Hutchison
This person does not currently hold a position at QUT.
Personal details
Keywords
dance, choreography, improvisation, robotics and cobotics, embodiment, motion capture, performance, artificial intelligence, technology, physical thinking prototypes
Research field
Performing arts
Field of Research code, Australian and New Zealand Standard Research Classification (ANZSRC), 2020
Qualifications
- Doctor of Philosophy (Deakin University)
- Master of Arts (Deakin University)
Teaching
Steph's teaching experience spans professional, community, tertiary, secondary and primary settings. She has been an Artist in Residence for Arts Centre Melbourne and a guest/sessional teacher for Deakin University, Dancehouse, National Theatre Ballet School, and National Institute of Circus Arts, among others. At QUT Steph currently designs, facilitates, mentors, coordinates or teaches into:
- Screen Dance
- Dance Technique Fundamentals
- Situated Creative Practice
- Creative Enterprise Studio 3
Publications
- Hutchison, S. & McCormick, J. (2022). What Robots Learn from Performative Relationships and Interactive Performance. In T. Cinque & JB. Vincent (Eds.), Materializing Digital Futures: Touch, Movement, Sound and Vision (pp. 223–242). Bloomsbury Academic. https://eprints.qut.edu.au/227895
- Hutchison, S., Gunasinghe, D., Roberts, J. & Bucolo, M. (2022). Cobotic Improvisations: Fling it! Presented at: Australian Cobotics Centre Launch [Dance]. https://eprints.qut.edu.au/243692
- McCormick, J., Hossny, M., Fielding, M., Mullins, J., Vincent, J., Hossny, M., Vincs, K., Mohamed, S., Nahavandi, S., Creighton, D. & Hutchison, S. (2020). Feels like dancing: Motion capture driven haptic interface as an added sensory experience for dance viewing. Leonardo, 53(1), 45–49. https://eprints.qut.edu.au/122551
- Demers, L. & Hutchison, S. (2019). Repeat [Dance]. https://eprints.qut.edu.au/225585
- McCormick, J., Nash, A. & Hutchison, S. (2018). Eve of Dust. Presented at: Eve of Dust. https://eprints.qut.edu.au/122553
- McCormick, J., Hutchison, S., Nash, A., Vincs, K., Nahavandi, S. & Creighton, D. (2015). Learning to replace a human: A virtual performing agent. The International Journal of Virtual Reality, 15(1), 18–22. https://eprints.qut.edu.au/122569
- Hossny, M., Nahavandi, S., Fielding, M., Mullins, J., Mohamed, S., Creighton, D., McCormick, J., Vincs, K., Vincent, J. & Hutchison, S. (2015). Haptically-enabled dance visualisation framework for deafblind-folded audience and artists. Proceedings of the 2015 IEEE International Conference on Systems, Man, and Cybernetics (SMC 2015), 446–450. https://eprints.qut.edu.au/122559
- Vincs, K., Bennett, A., McCormick, J., Vincent, J. & Hutchison, S. (2014). Skin to skin: Performing augmented reality. In V. Geroimenko (Ed.), Augmented reality art: From an emerging technology to a novel creative medium (pp. 161–174). Springer. https://eprints.qut.edu.au/95784
- McCormick, J. & Hutchison, S. (2014). Emergence. Presented at: Emergence [Dance]. https://eprints.qut.edu.au/96287
- Hutchison, S. & Vincs, K. (2013). Dancing in suits: a performer's perspective on the collaborative exchange between self, body, motion capture, animation and audience. Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, 1–4. https://eprints.qut.edu.au/96286
QUT ePrints
For more publications by Steph, explore their research in QUT ePrints (our digital repository).
Filter publications:
A complete list of publications is available at: https://www.qut.edu.au/about/our-people/academic-profiles/s2.hutchison
Awards
- Type
- Funding Award
- Reference year
- 2022
- Details
- When art collides with science and technology, magic happens. This cross-disciplinary, creative collision is at the heart of everything ANAT does, most notably in our flagship residency program, ANAT Synapse.ANAT Synapse is a residency program that involves Australian research organisations hosting artists in residence to undertake a period of creative research and practice. The program brings artists and researchers together in partnerships that generate new knowledge, ideas and processes beneficial beyond both fields.Since its genesis in 2004, ANAT Synapse has enabled research collaborations between more than 100 artists and scientists. We have facilitated crossovers between numerous artistic and scientific disciplines over the years–between sound design and ecology, new media and data science, poetry and astrophysics, and many, many others. All genres of practice and fields of study are welcome.Cobotic Improvisations (CI) draws on dance improvisation and choreographic me
Supervision
Completed supervisions (Doctorate)
Completed supervisions (Masters by Research)
The supervisions listed above are only a selection.