Dr Donna Hewitt
This person does not currently hold a position at QUT.
Personal details
Keywords
audio-visual composition, computer music, electronic music, gestural controllers, media art, new musical interfaces, performance, voice
Research field
Performing Arts and Creative Writing, Film, Television and Digital Media
Field of Research code, Australian and New Zealand Standard Research Classification (ANZSRC), 2008
Qualifications
- PhD (University of Western Sydney)
- BA Hons (Music) (University of Western Sydney)
- BSc (University of Sydney)
Professional memberships and associations
- Member - Writer Member APRA
- Member - Q Music
- Member - Australian Network for Art and Technology
- Member - International Computer Music Association
- Member - Australasian Computer Music Association
Publications
- Hewitt, D., Huddy, A. & Mafe-Keane, V. (2010). Idol. Presented at: Idol [Inter-Arts]. https://eprints.qut.edu.au/38555
- Hewitt, D., (2002). Sound work for: Beyond the Depths of Silence [Music].
- Hewitt, D., (2002). Liquid Extrusion I [Music].
- Hewitt, D., (2002). Sound work for: Liquid Extrusion II [Music].
- Hewitt, D., (2002). Crashing [Music].
- Hewitt, D., (2001). Peep Show [Visual Art Work].
- Hewitt, D. & Knowles, J. (2006). Nodule. Presented at: Nodule [Music]. https://eprints.qut.edu.au/26805
- Hewitt, D., (2002). Cracking [Music].
- Knowles, J. & Hewitt, D. (2006). Amphibian. Presented at: Amphibian [Performance]. https://eprints.qut.edu.au/26746
- Knowles, J. & Hewitt, D. (2006). Alvin [Music].
QUT ePrints
For more publications by Donna, explore their research in QUT ePrints (our digital repository).
Awards
- Type
- Academic Honours, Prestigious Awards or Prizes
- Reference year
- 2012
- Details
- 2011 Awarded a Dean's Award for Research and Innovation
- Type
- Appointment to State/National/International Reference Group or Government Committees
- Reference year
- 2003
- Details
- Participating advisor, Australia Council For the Att Music Board, March 2003.Guest advisor reviewing applications for March funding round.
- Type
- Curatorial/Juried selection of work for Exhibition Recording/Screening etc.
- Reference year
- 2005
- Details
- Conference paper reviewer International Computer Music Conference (Barcelona) September 2005.
- Type
- Evidence of A Critical Review of Artworks
- Reference year
- 2006
- Details
- Confined and Released. Review of Liquid Architecture in Melbourne by Chris Reid. RealTime Magazine No 75, October/November 2006, page 54
- Type
- Evidence of A Critical Review of Artworks
- Reference year
- 2006
- Details
- Fast, Furious and fleeting Review of the last electronic music event at Pelt Gallery, Sydney by Gail Priest. RealTime Magazine No 75, October/November 2006, page 56
- Type
- Evidence of A Critical Review of Artworks
- Reference year
- 2006
- Details
- Sounds Improbable, sound remarkable. Review of Brisbane Liquid Architecture Festival 2006 by Joel Stern and Danni Zuvela. RealTime Magazine No. 75, October/November 2006, page 53
- Type
- Evidence of A Critical Review of Artworks
- Reference year
- 2012
- Details
- Research work around the eMic (extended mic stand interface controller) was showcased as part of the prestigious National Film and Sound Archive¿s annual Thomas Rome Annual Lecture 2011, by ABC¿s Head of Innovation, Chris Winter.
- Type
- Other
- Reference year
- 2006
- Details
- Newspaper article - Sound Without Barriers is Music to their Ears, Sydney Morning Herald Interviewed by Sununda Creagh Article Published 4th July 2006
- Type
- Funding Award
- Reference year
- 2009
- Details
- Music Board- New Work (Media Arts)"Construction of a wireless prototype of the eMic and the creation of a new work"Awarded: $8,147 to build a Wireless eMic Prototype and Create a New work
- Type
- Funding Award
- Reference year
- 2010
- Details
- Music Board: Skills and Arts Development (Individual and Groups)"Donna Hewitt and Julian Knowles to undertake a residency at STEIM to develop the eMic"Awarded" $9,439To undertake a residency at Steim in Holland to develop the eMic. The eMic (Extended mic-stand interface controller) is a gestural controller for vocal performance and electronics.