Fundamental research and methodological advances
Overview
This theme undertakes fundamental research into creativity and innovation. It seeks to identify from first principles the nature of creative innovation, and show how the concept has evolved from an early focus on creative industries as a sector of the knowledge economy to more recent attention to creative innovation as an enabling component of the overall economic system; the place where economic and cultural values meet.
The research has shifted analytic attention from closed, expert, supply-side providers to open, complex networks, demand-side dynamics and consumer/ user co-creation.
This shift has promulgated an agenda to redirect creative arts, cultural, media communication studies towards an applied focus with manifold research, scholarship, industry-partner and educational implications.
Faculty researchers have influenced government policy in Australia, the UK and China through their research into the nature, extent and potential of the creative industries. Through international links they are reconceptualising humanities based research (including cultural, media communication studies) in culture, creativity and innovation, leading to a new dialogue with interdisciplinary partners in law, business, education and the sciences.
The research has mapped the dynamics of the sectors comprising the creative industries, their processes and interrelationships, and their increasing impact on the services sector in general. This includes investigating the true value-add of digital content sectors and inputs and ways of representing the relationship between economic and social capital (Higgs, Cunningham). Special progress has been made in the study of digital social networks and social network markets. International dimensions are also investigated particularly in China. Mapping user interaction with online and work on the cultural geography of creativity are also priorities.
Alongside this fundamental research into the creative industries is ongoing pure basic research in art and design focussed around enquiry into modernity, the arts, design, fashion, architecture and design, and literature. Much of this research is cross disciplinary and rests with critical issues, practices and media from the early twentieth century to the present. A priority is to investigate the legacy of modernism for contemporary practices as well as social, historical and aesthetic enquiry generally.
Methodological Advances
In keeping with the dynamism of the Creative Industries, researchers have found that their research programs are not always well served by existing research methodologies and methods. Consequently, it has been necessary to develop and test new ways of undertaking research, ways which are congenial to the demands of creative action, participatory development, applied intervention and critical reflection.
While creative practitioners have been researching their creative and artistic practice at Kelvin Grove campus for over two decades ongoing research into the methodologies of creative practice as research has resulted in our Creative Industries Faculty being recognised as a national leader in the methodology of practice-led research.
In parallel, media researchers have developed an internationally renowned suite of action research based approaches to the study of new media in particular. Faculty researchers have pioneered the concept of Ethnographic Action Research (EAR) via its deployment in development projects and communicative ecologies as a conceptual framework for understanding aspects of media and communication in context.
Projects
- Universities of their own
- Revisiting Youth Culture
- Cultural Science
- Creating Innovators
- Designing Creative Clusters
- The Culture of Marvellous Melbourne
- Mapping the Australian Political Blogosphere
- Book titled Songs of Resilience
- Authorship in Medieval Iceland
- Creative Industries in China
- What Are The Structures That Prevent Social Mobility?
- Project ABLe - Assessment for Better Learning
- Between Flagged Borders: Re-imagining the Australian Beach
- Creative Industries China East Asia (CICEA)
- The Creative Instability Hypothesis
- Sex and Sensibility: Chick Lit as Feminist Fiction
- A New Assessment Model For Marginalised Secondary Students
- The Autogenous Studio: An ongoing self-portraiture project
- Islands Apart (creative component) Journeys to Iceland (research component)
- Explaining Pathe's Global Dominance in the Pre-Hollywood Film Industry
- The River Story: To Empower the Powerless and Others Who Aspire to be Honourable Ancestors and Heal the Planet
- Well-known characters: Aboriginal photographs by J W Lindt
- Healthy Sexual Development: A Multidisciplinary Framework For Research
- International Acclaim: The Role of International Film Festivals in Supporting Emerging Women's Cinema
- The history of Australian television according to YouTube
- Internationalizing the Curriculum: Imagining Americas
- Governance, human capital and regional investment in China's new creative clusters
- Characterising Creativity: Innovations in the Teaching, Learning and Assessment of the Creative Arts
- Staging Difference Disability, Spectatorship and the Public Sphere
- Rates Of Change: Online Distribution as Disruptive Technology in The Film Industry
- Transcultural Improvisations: Globalization and The Evolution of Jogo Limpo In The Development Of Samba In Australia
- Strategies to Raise Older Australians' Awareness of the Online Products and Services that Can Improve their Daily Lives