Section: Home

Units

QUT Course Structure
Creative Performer 1

Unit code: KMB250
Contact hours: 3 per week
Credit points: 12
Information about fees and unit costs

This unit aims to develop the skills and understanding necessary for generating original creative work through extension and experimentation. It adds to the foundational knowledge and ideas delivered in Music and Sound Concepts 1 & 2 and draws on technical content introduced in Music and Sound Production 1 & 2.


Availability
Semester Available
2013 Semester 1 Yes

Sample subject outline - Semester 1 2013

Note: Subject outlines often change before the semester begins. Below is a sample outline.

Rationale

A successful performer requires not only skills in playing their instrument, but also a holistic approach to the craft of performance. This entails a critical understanding of performance modes and approaches, a practical understanding of performance in a range of different contexts and a capacity to translate performance concepts into practice. The series of four Creative Performer units run in parallel with Creative Studio units 3-6. These complimentary units allow the knowledge and ideas about performance delivered in Creative Performer to be put into practice in enhancing the creative work generated by students in Creative Studio.

Aims

This unit aims to expand your knowledge and understanding of the broad range of strategies and approaches used in the field of music performance. You will develop skills in critiquing your own performance as well as performances by others, and you will be encouraged to utilise foundational stage and recording studio techniques in the evolution of your own creative practice.

Objectives

On completion of this unit you should be able to:
1. Analyse and compare performance approaches from a range of different musical genres.
2. Deconstruct and critically evaluate your own as well as other people's performances.
3. Employ a range of foundational performance techniques in both stage and recording studio contexts.

Content

This unit addresses content such as:

  • models of performance across a range of genres incorporating acoustic and electronic media, foundational skills in recording studio performance,

  • foundational skills in live music performance,

  • the incorporation of electronic media in live performance,

  • gesture in performance, the bodied/disembodied performance.
  • Approaches to Teaching and Learning

    Teaching and learning in this unit will be through lectures and seminars, critical listening, self-directed learning activities and small-scale collaborative tasks.

    Assessment

    LATE ASSIGNMENTS
    An assignment submitted after the due date without an approved extension will not be marked. If you are unable to complete your assignment on time, you should submit on time whatever work you have done.

    Faculty Assessment Information
    To access complete Creative Industries Faculty Assessment Information please refer to the Blackboard site for this unit.


    Grading Scale - You will be awarded a final grade on a 1 to 7 scale

    Assessment name: Presentation (Oral or Group)
    Description: (Formative and Summative) Presentation - a group presentation on performance topics relating to lecture material.
    Relates to objectives: 1 & 2
    Weight: 25%
    Internal or external: Internal
    Group or individual: Group
    Due date: Early Semester

    Assessment name: Essay
    Description: (Formative and Summative) Essay on a topic relating to the lecture material.
    Relates to objectives: 1
    Weight: 30%
    Internal or external: Internal
    Group or individual: Individual
    Due date: Mid Semester

    Assessment name: Project (applied)
    Description: (Formative and Summative) A submission containing performance documentation and critical evaluation.
    Relates to objectives: 2 & 3
    Weight: 45%
    Internal or external: Internal
    Group or individual: Individual
    Due date: End Semester

    Academic Honesty

    QUT is committed to maintaining high academic standards to protect the value of its qualifications. To assist you in assuring the academic integrity of your assessment you are encouraged to make use of the support materials and services available to help you consider and check your assessment items. Important information about the university's approach to academic integrity of assessment is on your unit Blackboard site.

    A breach of academic integrity is regarded as Student Misconduct and can lead to the imposition of penalties.

    Resource materials

    Required Text(s):
    There is no set text for this unit

    Required Resources:
    Portable Hard Disc Drive (USB or Firewire)


    Recommended References:

    An updated list of recommended readings will be provided to students via Blackboard

    Battier,M. Wanderley, M. (editors.) 2000 Trends in the Gestural control of Music Wanderley and Battier IRCAM, Paris, France.
    Carlson, Marvin, A. 2004 Performance; A critical introduction 2nd Edition. Routledge New York.
    Frith, Simon Performing Rites. 1996 On the Value of Popular Music. Harvard University Press. Cambridge, Massachuesetts.
    Hugill, Andrew. 2008 The Digital Musician, Routledge, New York.
    Miranda, Eduardo Reck, Wanderley, Marcelo. 2006 New digital musical instruments: control and interaction beyond the keyboard. Middleton, Wis. : A-R Editions, 2006. The computer Music and Digital Audio series Vol 21.
    Parker, A. & Sedgwick, E. K. (Ed) (1995) Performativity and Performance. London: Routledge.
    Parncutt, Richard; Mcpherson, Gary. 2002. The Science and Psychology of Music Performance: Creative Strategies for Teaching and Learning. Oxford University Press Inc. UK
    Williamon, Aaron. 2004. Musical excellence: strategies and techniques to enhance performance. Oxford University Press Inc. New York.

    top
    Risk assessment statement

    - Excessive noise in confined spaces can damage hearing. Exposure to such noise should be brief and controlled.
    - Personal injury is possible from incorrectly lifting heavy electronic or acoustic instruments or equipment.
    - The physical demands of playing instruments may cause injuries such as repetitive strain injury. If in doubt consult a physician
    - The use of electronic instruments and equipment may cause electrocution if handled incorrectly or an electrical fault occurs. Always ensure your equipment has been regularly tested by a qualified electrician.
    - Musical, electrical and computer equipment is prone to failure. Any loss of time for such failures should be accounted for in your planning.
    - Safety of data storage can never be fully guaranteed. You are required to take all steps necessary to ensure continuity of your data.

    Disclaimer - Offer of some units is subject to viability, and information in these Unit Outlines is subject to change prior to commencement of semester.

    Last modified: 26-Sep-2012